Margo Price Continues Her Unstoppable Journey on Strays II

Margo Price brings listeners deeper down the psychedelic rabbit hole of her critically-acclaimed new album, Strays. Out in full on October 13th, Strays II expands the original 2023 opus with nine new songs that will arrive in the form of three distinct acts, each telling its own unique story of love, grief and acceptance. 

On Act I: Topanga Canyon, available now via Loma Vista Recordings, Margo Price is joined by Strays producer Jonathan Wilson, as well as new collaborators including Buck Meek of Big Thief, plus singer-songwriter and multi-instrumentalist Ny Oh. Together they dive deeper into the sacrifices it takes to find freedom, the grit it takes to make it, and the consequences that come with all of it. Recorded at Wilson’s Topanga studio during the same life-changing sessions as the rest of Strays – and partially written amidst the formative, six-day psilocybin trip that Margo Price and Jeremy Ivey took the summer prior – all three acts of Strays II further complement and intensify the resilient, resounding, and hard-rocking proclamation that Price delivered across the initial LP earlier this year. Listen to Act I: Topanga Canyon HERE.

Accompanied by a three-part short film directed by Chris Phelps and recently previewed at the GRAMMY Museum in Los Angeles, Strays II will continue to unfold throughout the coming weeks with the release of Act II: Mind Travel and Act III: Burn Whatever’s Left. All nineteen tracks will then combine into the double album’s digital release on October 13th, followed by a vinyl LP release of the nine new Strays II songs on November 10th – pre-order it here. Of the three new additions out today, Margo Price says: 

“The title track is the story of how my husband Jeremy and I met and fell in love in Nashville two decades ago. I wrote most of the words and Jeremy wrote the chords and melody. It also reflects how we have always tried to stay true to who we are as people: ‘Love and pain it comes in waves but it was quite enough in those early days, we were wild as wolves my darlin’, we were strays.’

‘Closer I Get’ (co-written with Jeremy Ivey) was originally meant to open this double album with the line, ‘Being alive costs a lot of money but so does dying.’ I’ve always thought it was unfair that the moment we are born, we immediately start racking up debt just for existing. This song was conjured from the ashes of our initial psychedelic trip – sometimes your perception and depth of field changes depending on where you’re at in life.

‘Malibu’ was written with Mike Campbell in his Malibu home after Jeremy and I had driven through the canyon fleeing a forest fire to get my guitar from our Airbnb. I had the start of the song and brought it to him looking to finish it out. I wanted to write something with a country funk/Bobbie Gentry feel, a good long rambling story about the minutiae of the day, like ‘Ode to Billy Joe.’ Mike added the long ‘California’ yodel and the bridge and was exactly what the song needed. My favorite line is ‘love and grief are a package deal, the more you have, the more you feel.’”

Like Strays and its many “stoic pearls of wisdom” (Pitchfork), Strays II reveals more of what makes Margo Price so “unstoppable, unsinkable, uninhibited” (The New York Times). Surmounting loss, trauma, substance abuse, demons of self-worth and more, the songs of Strays have cemented her place as a singular storyteller, with so much to say but nothing to prove. Since the album’s release, Price has earned nominations for Artist of The Year, Album of The Year and Song of The Year (“Change of Heart”) at the upcoming Americana Honors & Awards, tying for the most nominations of any single artist in 2023. 

Recently, Margo Price also revealed details of the new Jessi Colter album that she produced (Edge of Forever), hosted a star-studded tribute to John Prine for Newport Folk Festival, performed with My Morning Jacket and Angel Olsen, celebrated Willie Nelson at his 90th birthday, played shows with Chris Stapleton and Tyler Childers, published a powerful, personal essay about gun control at Rolling Stone, met with Tennessean lawmakers and sang alongside Dr. Jill Biden at Nashville’s vigil for the Covenant shooting victims. She has brought Strays songs and stories to CBS Mornings and The Late Late Show with “Radio” collaborator Sharon Van Etten, discussed her memoir Maybe We’ll Make It during the closing keynote of SXSW, taped an episode of Austin City Limits, reigned for 14 weeks at #1 on the Americana radio charts with “Change of Heart,” and released a new version of that song with Sierra Ferrell. 

Following a long-awaited return to the UK this week, Margo Price and her band will hit the road for an autumn leg of her ‘Til The Wheels Fall Off Tour. In addition to headline dates across the country, Price will play festivals including Hopscotch, XPoNential, Pilgrimage and Farm Aid, where Price is the first female artist to sit on the board of directors. Find the full list below and tickets at margoprice.net/tour.  

Strays

Been To The Mountain

Light Me Up (feat. Mike Campbell)

Radio (feat. Sharon Van Etten)

Change of Heart

County Road

Time Machine

Hell In The Heartland

Anytime You Call (feat. Lucius)

Lydia

Landfill

Strays II

Act I: Topanga Canyon

Strays 

Closer I Get (feat. Ny Oh) 

Malibu (feat. Jonathan Wilson, Buck Meek) 

Act II: Mind Travel 

Black Wolf Blues 

Mind Travel 

Unoriginal Sin (feat. Mike Campbell) 

Act III: Burn Whatever’s Left

Homesick (feat. Jonathan Wilson) 

Where Did We Go Wrong 

Burn Whatever’s Left 

Photo by Chris Phelps

Margo Price Tour Dates

8/24 – London, UK – Rough Trade East

8/25 – London, UK – Lafayette

8/26 – Leicestershire, UK – The Long Road

Praise For Strays 

“Her strongest solo work yet” –The New Yorker

“With scorching riffs, heartfelt folk, and appearances by the Heartbreakers’ Mike Campbell, it’s her strongest, most cohesive record yet“ – Rolling Stone

“Strays bursts with easy confidence and kind, stoic pearls of wisdom” – Pitchfork

“Brilliantly rattles through country, psych and Patti Smith-style poetic rock’n’roll…powerful lyrical gut-punches” – The Guardian, ★★★★

“Sonically brave and lyrically obstinate, a rare delight that stands out from its counterparts” – NME, ★★★★

“It’s her weirdest and wildest record yet, but also her wisest“ – UNCUT

“This is an album to cherish” – CLASH

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