London / New York – September 16, 2020 – Callaway Arts & Entertainment and Apple Corps Ltd. are pleased to announce plans for the global publication onAugust 31, 2021 of THE BEATLES: GET BACK, the first official standalone book to be released by The Beatles since international bestseller The Beatles Anthology. Beautifully designed and produced, the 240-page hardcover tells the story of The Beatles’ creation of their 1970 album, Let It Be, in their own words. Presenting transcribed conversations drawn from over 120 recorded hours of the band’s studio sessions with hundreds of previously unpublished images, including photos by Ethan A. Russell and Linda McCartney, THE BEATLES: GET BACK also includes a foreword written by Peter Jackson and an introduction by Hanif Kureishi. The book’s texts are edited by John Harris from original conversations between John, Paul, George and Ringo spanning three weeks of recording, culminating in The Beatles’ historic final rooftop concert.THE BEATLES: GET BACK will be a special and essential companion to director Peter Jackson’s “THE BEATLES: GET BACK” feature documentary film, set for theatrical release on August 27, 2021.

To watch the THE BEATLES: GET BACK book trailer and find out more, visit: http://thebeatles.com

You can also watch the trailer on YouTube: https://youtu.be/ZM__OJUFzIQ

Pre-order THE BEATLES: GET BACK by The Beatles: https://lnk.to/thebeatlesgetbackbook

This intimate, riveting book invites us to travel back in time to January 1969, the beginning of The Beatles’ last year as a band. The BEATLES (‘The White Album’) is still at number one in the charts, but the ever-prolific foursome regroup in London for a new project, initially titled Get Back. Over 21 days, first at Twickenham Film Studios and then at their own brand-new Apple Studios, with cameras and tape recorders documenting every day’s work, the band rehearse a huge number of songs, new and old, in preparation for what proves to be their final concert, which famously takes place on the rooftop of their own Apple Corps office building, bringing central London to a halt.

Legend now has it that these sessions were a grim time for a band falling apart, but, as acclaimed novelist Hanif Kureishi writes in his introduction to THE BEATLES: GET BACK, “In fact this was a productive time for them, when they created some of their best work. And it is here that we have the privilege of witnessing their early drafts, the mistakes, the drift and digressions, the boredom, the excitement, joyous jamming and sudden breakthroughs that led to the work we now know and admire.”

These sessions, which generated the Let It Be album and film released in May 1970, represent the only time in The Beatles’ career that they were filmed at such length while in the studio creating music. Simultaneously, they were exclusively photographed and their conversations recorded.

THE BEATLES: GET BACK is the band’s own definitive book documenting those sessions. It brings together enthralling transcripts of their candid conversations, edited by leading music writer John Harris, with hundreds of extraordinary images, most of them unpublished. The majority of the photographs are by two photographers who had special access to their sessions—Ethan A. Russell and Linda Eastman (who married Paul McCartney two months later).

Peter Jackson’s documentary film will reexamine the sessions using over 55 hours of unreleased original 16-millimetre footage filmed by Michael Lindsay-Hogg in 1969, now restored, and 120 hours of mostly unheard audio recordings. This sumptuous book also features many unseen high-resolution film frames from the same restored footage.

The Wylie Agency of New York and London will sell global co-edition rights to the book, and Ingram Publisher Services will be the distributor for U.S., Canada, UK, and Ireland.

THE BEATLES: GET BACK promises to be a must-have title, to be collected and treasured by generations of Beatles fans and music lovers worldwide.

Quote by Nicholas Callaway, Founder & Publisher, Callaway Arts & Entertainment:

The Beatles gave my generation their genius and their joy and they changed the world through their art. The creativity and inspiration expressed in this landmark book and in Peter Jackson’s film are as important and relevant today as ever.

THE BEATLES: GET BACK

Foreword by Peter Jackson
Introduction by Hanif Kureishi
Edited by John Harris from transcripts of the original sound recordings

Photographs by Ethan A. Russell and Linda McCartney

Peter Jackson is an Academy Award-winning director, producer and screenwriter. His films include The Lord of the Ringsand The Hobbit trilogies as well as the BAFTA-nominated World War One documentary, They Shall Not Grow Old. In 2018 he began work on a new documentary about The Beatles’ 1969 Let It Be sessions, making use of the 55 hours of footage that have never been seen.

Hanif Kureishi is the author of The Buddha of Suburbia, which won the Whitbread Prize for Best First Novel, The Black Album, Intimacy, The Last Word, The Nothing, and What Happened? His screenplay for My Beautiful Laundrette received an Oscar® nomination for Best Screenplay. Kureishi has been awarded the Chevalier de l’Ordre des Arts et des Lettres, the PEN Pinter Prize, and is a Commander of the Order of the British Empire. His work has been translated into thirty-six languages.

Ethan A. Russell is a multiple Grammy®-nominated photographer, director and author of four books. He is the only photographer to have shot covers for The Beatles, The Rolling Stones and The Who. He was invited by The Beatles to photograph the band’s recording sessions in January 1969 and his images adorn the sleeve of the Let ItBealbum.

Linda McCartney began her four-decade career as a prolific photographer chronicling the musical revolution of the 1960s. In 1967 she was voted U.S. Female Photographer of the Year and in 1968 she became the first female photographer to shoot the cover of Rolling Stone magazine. Between 1967 and 1969 Linda frequently photographed The Beatles, including the Get Back sessions, and she married Paul in March 1969. Her photographic work went on to focus on the themes of social commentary, domesticity and nature.

John Harris writes on politics, culture and music for The Guardianand Mojo magazine. His books include The Last Party, about the culture of the 1990s, and the definitive account of Pink Floyd’s The Dark Side Of The Moon. In 2018, he contributed an essay to the Anniversary Edition of The Beatles (‘White Album’).

Apple Corps Ltd. was founded by The Beatles in 1968 to oversee the band’s own creative and business interests. As part of its management of The Beatles’ entire intellectual property canon, the London- based company administers the legendary band’s recorded catalogue along with film, theatrical and book publishing rights.

Callaway Arts & Entertainment, headquartered in New York, brings the work of great artists to the world in books and all media platforms through meaningful content, advanced technology and fine design.

* * *

Publication Date: August 31, 2021
ISBN: 978-0-935112-96-2
US Price: $60.00
UK Price: £40.00
Trim size: 11 7/8 x 10 inches (302 x 254mm), Portrait

Page count: 240 pp plus endpapers

Photographs: 200+

Available through Ingram Publisher Services.

To order: Contact your IPS Sales Representative, call (866) 400-3551, fax (800) 838-1149, email ips@ingramcontent.com, or visit ipage.

To order in the United Kingdom, Ireland, Europe General Enquiries:
INGRAM
5th Floor
52 – 54 St John Street
Clerkenwell
London
EC1M 4HF IPSUK_enquiries@ingramcontent.com

International Rights Sales:
The Wylie Agency
New York and London
Contact James Pullen: jpullen@wylieagency.co.uk

** *

Photos only to be reproduced in news editorial in direct conjunction with the September 2020 press announcement for THE BEATLES: GET BACK by The Beatles.

THE BEATLES: GET BACK cover photo credit: Photo by Linda McCartney/©Paul McCartney

Apple Studioblack & white and Apple rooftop photo credit: Photo by Ethan A. Russell/©Apple Corps Ltd.

High resolution images and video are available for download from THE BEATLES: GET BACKmedia site:

press.thebeatles.com

username: press

password: maxwellpony909

MEDIA CONTACTS:

For Apple Corps Ltd.:
U.S.: Jennifer Ballantyne, A-Side Media Relations: jennifer@a-sidemedia.com
U.K.: Barbara Charone and Moira Bellas, MBC PR: bc@mbcpr.com; moira@mbcpr.com

For Callaway Arts & Entertainment (U.S.):
Emi Battaglia, EBPR: emi@emibattaglia.com

Jennifer Romanello, EBPR: jennifer.romanello65@gmail.com

Please visit www.thebeatles.com & www.callaway.com

“Breezy pop and country lamentations delivered with a whole lot of soul.” – LA WEEKLY

“As if Tom Petty were riding shotgun, Charles and band capture a certain Southern California essence.”– LA TIMES

“Bursting with blues-rock and blissed-out psychedelia.” – PITCHFORK

One of the US’ finest rising stars, Pearl Charles, has announced her stunning new album, ‘Magic Mirror’, will be released on Kanine Records on 15^th January 2021. Pearl has also shared her entrancing new single, ‘What I Need’.

Speaking of the track Pearl said, “Have you ever stuck with something long after it was time to let go?” She continues, “’What I Need’ explores this choice in terms of a breakup, though it could really be applied to any situation that is no longer serving you. It’s the age-old story of wanting to stay in a comfortable relationship but knowing that you have to move on for personal growth, and the fear and uncertainty that being alone will bring, even though it’s for the best.”

Watch the video for ‘What I Need’ HERE

Magic Mirror is a looking glass of sorts. Like a modern-day Alice in Wonderland, Pearl beckons you to slip and fall into her world. You’ll find yourself drifting with the tide – the ups, downs, and all-arounds of a life well-lived and well-loved.

From start to finish you float along a reflective river, dancing in your own/the personal/private Studio 54 of your living room, decked out in sequins or nothing at all. It’s a feel good album that asks us to actually take the time to feel good. ‘Magic Mirror’ follows the cartography of a girl, growing into a woman, as she moves through life from single-dom, to the expansive space of self-reflection, and the newly appreciated perspective of coming back together again and finding yourself, this time with someone new.

Magic Mirror Tracklisting: 
1 Only for Tonight
2 What I Need
3 Imposter
4 Don’t Feel Like Myself
5 Magic Mirror
6 Slipping Away
7 All the Way
8 Take Your Time
9 Sweet Sunshine Wine
10 As Long As You’re Mine

Pearl has been playing music since she was five years old. At 18, she formed country duo The Driftwood Singers with Christian Lee Hutson, singing and playing guitar and autoharp. At 22, she joined garage rock band The Blank Tapes as a drummer. After a few fun-filled years immersed in the rock and roll lifestyle, she decided it was time to pursue her own songwriting and began developing the songs that formed 2015’s eponymous debut EP and additional debut LP that came out in 2017 on Kanine Records. Subsequently crafting an exhilarating live show in which she has headlined national and international dates as well as shared the stage with contemporaries Best Coast, Sunflower Bean, Mac Demarco, Conor Oberst, etc, as well as festival plays like ACL, Huichica and Desert Daze.

Her music career has been a chronological progression from old-time music to 60’s garage and psychedelia, and now more 70’s country and soft rock. Drawn to catchy, poppy hooks and choruses, Charles draws on what she loves about each era while developing her unique style and voice as a musician, singer, and songwriter.

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ACM, CMA and CMT Award-winning artist Luke Combs will release his new deluxe album, What You See Ain’t Always What You Get, October 23 on River House Artists/Columbia Nashville. The extended edition will feature all 18 songs from Combs’ platinum-certified, global #1 record, What You See Is What You Get, as well as five new tracks.

The release continues a series of groundbreaking years for Combs, who has once again made history as the first artist ever to have their first two studio albums spend 25 weeks or more at #1 on Billboard’s Top Country Albums chart—breaking Taylor Swift’s previously held record at 24 weeks. The achievement comes as What You See Is What You Get topped the chart for the 25th time last month, while his 2017 debut, This One’s For You, has spent 50 non-consecutive weeks at #1—tying the record for the longest reign atop the chart with Shania Twain’s Come On Over in 1997.

What You See Is What You Get debuted at #1 on the all-genre Billboard 200 chart as well as Billboard’s Top Country Albums chart this past November with 172,000 equivalent units sold and also enjoyed the largest streaming week ever for a country album with 74 million on-demand streams.

Continuing his record-breaking streak at country radio, Combs’ current US single and his next UK single (September 2020), “Lovin’ On You,” is already top 10 in the US and rising, while his first eight singles have all reached #1—a first on Billboard’s Country Airplay chart. Moreover, Combs is nominated in three categories at the 55th ACM Awards: Entertainer of the Year, Male Artist of the Year and Album of the Year for What You See Is What You Get.

Listen to ‘Lovin’ On You’ HERE

Produced by Scott Moffatt, What You See Is What You Get features 18 songs including the five tracks previously released via The Prequel EP last summer. The EP debuted at #1 on Billboard’s Top Country Albums chart with all five tracks charting on Billboard’s Hot Country Songs Top 25—a feat not accomplished by any artist in 60 years since Johnny Cash in 1959. Adding to his landmark year, Combs’ debut album, This One’s For You, was recently certified RIAA Triple Platinum and certified Silver in the UK. The album was also the most-streamed country album of 2019.

Additional notable achievements and recognitions:

• Awarded Male Vocalist of the Year and Song of the Year (“Beautiful Crazy”) at the
  53rd Annual CMA Awards
• Awarded CMT Performance of the Year at the 2019 CMT Music Awards for his CMT
  Crossroads performance of “Beautiful Crazy” with Leon Bridges
• Awarded Top Country Artist, Top Country Male Artist and Top Country Album at the 2019 Billboard Music Awards
• Awarded New Male Artist of the Year at the 2019 ACM Awards
• Awarded Country Artist of the Year at the 2019 iHeartRadio Music Awards
• Awarded New Artist of the Year at the 52nd Annual CMA Awards
• Nominated for Best New Artist at the 61st GRAMMY Awards
• Recipient of a CMA Triple Play Award for writing three #1 songs in a 12-month period

www.LukeCombs.com

August 14th sees the release of Elvis Costello’s “We Are All Cowards Now,” the third advance bulletin from what is now revealed to be a new album, ‘Hey Clockface,’ scheduled for release on October 30th by Concord Records. 

‘Hey Clockface’ was recorded in Helsinki, Paris and New York and mixed by Sebastian Krys in Los Angeles. 

Following the solo recording of “No Flag,” “Hetty O’Hara Confidential” and “We Are All Cowards Now” at Suomenlinnan Studio, Helsinki by Eetü Seppälä in February 2020, Costello immediately traveled to Paris for a weekend session at Les Studios Saint Germain. 

Watch the video for ‘We Are All Cowards Now’ HERE

Costello tells us, “I sang live on the studio floor, directing from the vocal booth. We cut nine songs in two days. We spoke very little. Almost everything the musicians played was a spontaneous response to the song I was singing. I’d had a dream of recording in Paris like this, one day.” 

The ensemble, dubbed “Le Quintette Saint Germain” by Costello, was recruited for these dates by Steve Nieve (who plays grand piano, upright piano, organ, mellotron & melodica) and features Mickaél Gasche on trumpet, flugel horn and serpent, Pierre-François ‘Titi’ Dufour on cello and the drums, percussion and high harmonies of Ajuq. 

Reed player Renaud-Gabriel Pion brought many tones and colours to the performances, playing, contrabass clarinet, bass clarinet, Bb clarinet, tenor saxophone, bass flute and cor anglais. 

The Paris sessions were recorded by François Delabrière.

The New York sessions were produced by composer, arranger and trumpet player Michael Leonhart in collaboration with guitarists Bill Frisell and Nels Cline and completed, lyrically and vocally by Costello, “via Electrical Wire.”

“I wanted to write ‘Helsinki-Paris-???’ on the record jacket like this was a perfume or an advertising agency. ‘London’ was a possibility for the third city but London is forever. We’ll be there again. Michael sent this music to me from New York at the perfect time. It connected to elements in both of the previous sessions and completed the picture.”

Speaking of the emotional and dynamic range of the record, Costello said, “I wanted the record to be vivid, whether the songs demanded playing that was loud and jagged or intimate and beautiful.”

The assembled album, ‘Hey Clockface‘ is “An Elvis Costello & Sebastian Krys Production” following on from their work together on Elvis Costello and The Imposters Grammy-winning album ‘Look Now.’

The motion picture of “We Are All Cowards Now” by Eamon Singer & Arlo McFurlow features images of flowers & pistols, smoke & mirrors, tombstones & monuments, courage & cowardice, peace love and misunderstanding.

“HEY CLOCKFACE”

1. Revolution #49
2. No Flag
3. They’re Not Laughing At Me Now
4. Newspaper Pane
5. I Do (Zula’s Song)
6. We Are All Cowards Now
7. Hey Clockface / How Can You Face Me?
8. The Whirlwind
9. Hetty O’Hara Confidential
10. The Last Confession of Vivian Whip
11. What Is It That I Need That I Don’t Already Have?
12. Radio Is Everything
13. I Can’t Say Her Name
14. Byline

Pre-Order Hey Clockface: https://found.ee/ElvisCostello_HeyClockface

Listen to “We Are All Cowards Now”: https://found.ee/ElvisCostello_WAACN

Metallica has confirmed its return to the stage for the first time since the September 2019 S&M2 concerts that opened Chase Center in San Francisco. Metallica will be the first rock band to be featured in the Encore Drive-In Nights series, with a full set showing August 29 at hundreds of drive-in and outdoor theaters across the United States and Canada. The show will be shot specially for the Encore Drive-In Nights Series at a location near the band’s Northern California headquarters and will subsequently be edited and mixed by Metallica’s award winning production team to the highest standards possible. The concert, the band’s first show in nearly a year, will feature material from throughout their near four-decade career and provide Metallica fans with an intimate, unique and truly memorable concert experience.

Pre-sale tickets, available exclusively to Metallica’s Fifth Member fan club, will go on sale on August 12 at ticketmaster.com/encore-metallica. General on-sale will begin on August 14. Every ticket purchase — which admits one carload of up to six people — will include four digital downloads of Metallica’s S&M2, the long awaited album documenting the two historic concerts that reunited the band and San Francisco Symphony for the first time in 20 years. 

The Metallica show is part of the Encore Drive-In Nights Series, which is presented by leading event production company Encore Live. Since June, Encore Live has partnered with drive-in theaters across the country to provide world-class entertainment in a safe, creative way. For more information and to see if a venue near you is presenting the show, visit encorenights.com or call your local theater. The August 29 show will also feature a special guest performance by Three Days Grace.

Drive-in theaters hosting the concert will adhere to Centers for Disease Control and Prevention (CDC) recommended guidelines as well as all state and local health mandates. Staff will wear personal protective equipment and enforce at least six feet of space between cars. The series will also use contactless payment and ticketing systems and limit capacity in restrooms. Guidelines around concessions will be enforced to abide by individual state regulations. For a full list of procedures that the Encore Drive-In Nights is employing to keep fans and staff safe, visit encorenights.com.

Unlike traditional concert tickets that are bought for one fan’s individual admission, each purchase for Encore Drive-In Nights’ concerts will admit one carload of fans. That means up to six people can enjoy this once-in-a-lifetime show for one price. Additional information about Encore Drive-In Nights can be found at https://www.ticketmaster.com/encoredriveinnights.

About Encore Drive-In Nights

Encore Drive-In Nights showcases the world’s most iconic music stars with performances recorded exclusively for drive-in theaters across North America. From the safety of your vehicle you will enjoy an exclusive cinematic concert experience under the summer night sky. Drive-in. Rock out.

Award-winning graphic designer Simon Halfon, today announces the release of his debut book ‘Cover To Cover’ – to be published by Nemperor on November 16th.

Initially launched as a Kickstarter campaign, and meeting its target in less than six hours, this book includes 40 years of his record sleeves, design work and rarely – if ever – seen photography.

Simon Halfon is an award-winning graphic designer with a career spanning four decades in the music industry. He is most noted for his long standing collaborations with George Michael, Oasis and Paul Weller (with whom he worked for the best part of 30 years) designing some of their most iconic albums, from ‘Listen Without Prejudice’ to ‘Standing on the Shoulder of Giants’to ‘Stanley Road’, his first of three collaborations with Peter Blake.

Along with his designs, this beautifully presented hard back book also gives us the opportunity to see Simon’s rarely if ever seen photos of these iconic artists.

Alongside The Jam, The Style Council, Paul Weller, Oasis, George Michael, his design portfolio includes The Who, Madness, Steve Winwood, Nick Heyward, David Bowie, Frank Sinatra, John Lennon, James Brown, the Blue Note label and many more.

‘Cover To Cover’ also showcases Halfon’s production work for the feature films Sleuth, starring Michael Caine & Jude Law, as well as the Oasis feature length documentary Supersonic.

On the creation of the book, Halfon explains; “During lockdown I took the opportunity to reorganise my archives and began to look through boxes, many of which hadn’t been opened in over three decades. Sorting through thousands of personal photographs, negatives, artist’s proofs, sketches and notes, brought an overwhelming sense of nostalgia and a new-found pride for my body of work. Having never taken the time to look back, I hadn’t truly appreciated the journey. It now feels like the perfect time to create a retrospective book to celebrate the privilege of a career working with some of music’s most iconic artists. It will also give me the opportunity to share anecdotes & recollections – to tell the stories behind the artwork.”

 His journey began in the post room at Stiff Records back in 1980, where with no formal training he ended up in their art department, before moving on to work for Neville Brody up at The Face magazine offices. Since that time Halfon has worked alongside many of the great artists and photographers, from Peter Blake to David Bailey.

Most recently Halfon created and produced the punchy comedy/drama series ‘All You Need Is Me’ for Canal Plus. Based on many of his own experiences living in Los Angeles, the series was shot entirely on location in LA and London. He garnered cameos from Fallout Boy’s Pete Wentz, the Libertines’ Carl Barat, Elvis Costello and James Corden.

As The Rolling Stones’ legendary manager and producer Andrew Loog Oldham saysof Halfon’s work – “the job of artwork on an LP cover is to explain the music, the artist and invite you in. Halfon does just that.”

www.nemperor.com

For over 30 years, Texas have proved themselves to be one of Scotland’s best ever bands and nothing short of a national treasure south of the border. The band has announced they will be releasing two digital-only EPs from their world-renowned and critically acclaimed album ‘Southside’. ‘Southside Demos’ and ‘Southside Covers’ will be released on 11^th September 2020 through UMC/Mercury.

Originally part of an incomplete album recording, the first track to be taken from the EP is the glorious Bernard Edwards mix of ‘I Don’t Want A Lover’. Following an incredible, but unfinished, album session with Bernard, Sharleen Spiteri said, “We’ve searched for these recordings for a long time and they were recently found in the Universal vaults in America, they have not been listened to since 1987.” She continued, “What you are listening to was one of the biggest lessons we learned on many fronts right at the beginning of our career.”

Listen to Bernard Edwards’ mix of ‘I Don’t Want A Lover’ HERE

Compiled and curated by the band, ‘Southside Demos’ is a seven track digital-only EP featuring six previously unreleased demos recorded in Glasgow between February and December 1987. The EP also includes a previously unreleased mix of, ‘I Don’t Want A Lover’ by Bernard Edwards of Chic, which also features Tony Thompson of Chic on drums and was recorded at Burbank Studios in LA in summer 1987. The band will release a new track from ‘Southside Demos’ through to release on the 11th September.

The second of the two EPs, ‘Southside Covers’, was recorded at the band’s legendary gig at The Paradiso in Amsterdam in June 1989. The EP features previously unreleased live covers of John Lee Hooker’s, ‘Dimples’, and the Whitfield/Strong composition ,’Can’t Get Next To You’, which was covered by The Temptations and Al Green. Also included are live covers of ‘It Hurts Me Too’ by Elmore James and an epic cover of Stevie Wonder’s ‘Living For The City’.

Formed in 1986 by the undeniably brilliant Sharleen Spiteri and her partner in crime, Johnny McElhone, Texas have made consistently great music throughout their stellar career; they’ve sold over 40 million records, had 13 top ten UK singles, 3 #1 UK albums and 8 top ten UK albums including their latest, ‘Jump On Board’.

Pre-Save ‘Southside Demos’ HERE & ‘Southside Covers’ HERE

https://www.texas.uk.com/

Ward Thomas are back with the first taste of brilliant new music from their infectious forthcoming studio album ‘Invitation’– out October 2nd on WTW Music through eastwest.

‘Sweet Time’ arrives today and lays down an impressive marker. A graduation in sound and a newfound maturity makes for a profound step up. The track opens the album in style, injecting an exciting pace from the get go, with Haim-like guitar work and bursting with youthful energy.

 Listen to ‘Sweet Time’ HERE

Largely produced by Jonathan Quarmby (Lewis Capaldi, Tom Walker, Finley Quaye), and mostly recorded in lockdown from their Hampshire cottage, ’Invitation’ is a coaxing doorway for all into an exciting new chapter as the fog of a global pandemic begins to lift. There’s palpable energy by the bucket load, and many of its songs benefit from a coming of age for sisters Catherine and Lizzy and a new found voice sees them diversify their sound.

The girls say; “2020 has been a year full of learning, which we feel has changed our approach to this album. We recorded a lot of it from our cottage, and working remotely came with its share of challenges, but also new opportunities. Although recorded during uncertain times, the record feels like an invitation to a more positive time; to a more open and exciting new chapter. We named it after a lyric in the song ‘Open Your Mind’ because the album feels like an invitation – whether it be figuratively, an invitation to self-reflect, or physically, to a time when we can all party again.”

‘Meant To Be Me’ delivers a new twist on their country roots showcasing a wonderful pop sound mixed with clever use of mandolin, whilst ‘Dear Me’ briefly strips away the music, making for a stunning Imogen Heap-style near acapella performance. There’s also a strong James Bond-esque candidate in ‘My Favourite Poison’, and even their more traditional country-pop tracks have found a new level, with the brilliant ‘Wait Up’ and previously released ‘Hold Space’. Other highlights include the strikingly rhythmic ‘Don’t Be A Stranger’ and epic ‘Someday’.

As bonus tracks the album also includes a cover of Fleetwood Mac’s iconic track ‘Landslide’, their feature with James Blunt on the brilliant ‘Halfway’ from his 2019-released Top 3 album ‘Once Upon A Mind’, and a jaw dropping live performance of The Killers’ ‘Human’ with Jack Savoretti at his huge Wembley Arena headline show last year.

The girls will also embark on an intimate “Invitation” acoustic tour, which was rescheduled due to Covid-19, for April next year. The 16-date run will include two dates at London’s Union Chapel on the 26^th& 27^th.

2020 may have been a year of global ups and downs so far, but as one door closes, another opens. Enter an exciting new chapter for Catherine and Lizzy Ward Thomas.

UK TOUR DATES (tickets on-sale HERE)

April

Fri 9^th                          LIVERPOOL, Grand Theatre
Sat 10^th                        LINCOLN, Engine Shed
Sun 11^th                       BARROW, Forum Theatre
Mon 12^th                     LEEDS, City Varieties
Tue 13^th                       NORWICH, Epic Studios
Thu 15^th                       GLASGOW, Mackintosh Church
Fri 16^th                         EDINBURGH, Queen’s Hall
Sun 18^th                       LEAMINGTON SPA, Assembly
Mon 19^th                      BOURNEMOUTH, O2 Academy
Tue 20^th                       WOKING, New Victoria Theatre

Wed 21^st                        SOUTHEND, Palace Theatre

Fri 23^rd                          BRIGHTON, St George’s
Sat 24^th                         BATH, Forum

Sun 25^th                        MANCHESTER, RNCM Theatre

Mon 26^th                      LONDON, Union Chapel

Tue 27^th                        LONDON, Union Chapel

‘Invitation’ – Track Listing

1. Sweet Time
2. Don’t Be A Stranger
3. Open Your Mind
4. Someday
5. Meant To Be Me
6. Dear Me
7. Hold Space
8. Wait Up
9. My Favourite Poison
10. Painted Legacy
11. If There Were Words
12. Halfway(with James Blunt)
13. Human(Live from Wembley Arena with Jack Savoretti)
14. Landslide

Pre-Order the album HERE.

One of the US’ hottest news acts, The Heavy Hours, have released their infectious debut single “Don’t Walk Away”. Co-written with Black Keys frontman Dan Auerbach and produced by Simone Felice (The Lumineers, Jade Bird, Matt Maeson) the track, released through S-Curve/BMG, heralds the arrival of the Cincinnati quartet.

“Don’t Walk Away” provides an ideal glimpse into the band’s particular magic, fusing epic hooks, affecting lyricism, and indelible melody with studio invention and timeless pop smarts. The four friends at the core of the Heavy Hours have been collaborating in some sense since high school, united by a shared passion for a wide range of sounds, from alternative rock and contemplative folk, to radio-friendly rock ‘n’ roll.

Watch the video for ‘Don’t Walk Away’ HERE

Adopting the band’s name from a line in William Butler Yeats’ Autobiographies, The Heavy Hours emerged in 2018, eager to explore a long-standing fascination with time-honored songwriting and production. Their music soon made its way to Dan Auerbach, who invited his fellow Ohioans to visit his Easy Eye Sound headquarters in Nashville for a few days of collaborative songwriting. The sessions were both productive and a revelation, inspiring the band to strip away some of their previous artifice in order to touch a more universal chord. Armed with a cache of new songs and innumerable ideas, The Heavy Hours traveled to rural Catskills in New York state, to record under the aegis of producer Simone Felice. The winter sessions proved incredibly fruitful, yielding a collection of distinctive new music that serves as an undeniable milestone on The Heavy Hours’ ongoing creative journey.

Having found their voice, The Heavy Hours are now fully focused on the future, determined to develop and expand the parameters of their intrepid sound and vision. Indeed, the band’s musical capacity seemingly grows more adventurous with each passing day. Brimming with self-assurance, creative ambition, and infinite artistry, The Heavy Hours are set to take on the world.

The Heavy Hours:

Michael Marcagi – vocals * AJ Yorio – guitar

Jonathan Moon – bass * Ian Malott – drums

The famous square and natural harbour of Portofino, one of the most symbolic places of the Ligurian Riviera and the Mediterranean, will soon be brought back to life with the stunning voice of Jack Savoretti.

‘One Night In Portofino’ – an intimate, exclusive and socially distanced concert – will take place on September 4th and will be streamed globally – with tickets on sale July 31st HERE.

Alongside a very small number of guests, Jack is also offering some incredibly lucky fans the opportunity to join him to experience the show live in Portofino. Fans can enter the competition HERE.

Amongst fan favourites and his best known songs, Jack will also perform ‘Andrà Tutto Bene’ live for the very first time – the song he recorded with his Italian fans on Instagram, as an act of solidarity and to show support for the country worst affected by the Covid-19 crisis. A percentage of the show’s proceeds will be donated to the San Martino Hospital in Genoa – the same hospital that all proceeds from ‘Andrà Tutto Bene’ were donated to.

The concert aims to represent a new chapter of live music in Italy, in a place like Portofino, known all over the world, synonymous with elegance and dolce vita. The place of origin for Jack’s Italian heritage.

https://www.jacksavoretti.com/

Robert Plant will mark the eagerly awaited third season of his hugely popular podcast, Digging Deep with Robert Plant, with the release of a career-spanning new 2-CD set DIGGING DEEP. The limited edition collection – also available for streaming and digital download – gathers 30 extraordinary songs spanning four decades, including three previously unreleased new tracks. DIGGING DEEP will be available worldwide via Plant’s own Es Paranza label on Friday, October 2nd.

PRE-ORDER DIGGING DEEP

DIGGING DEEP showcases landmark tracks from each of the 8x GRAMMY® Award-winner’s 11 masterful solo albums, including a number of songs featured on Digging Deep with Robert Plant. Highlights include the #1 rock hit, “Hurting Kind,” and the GRAMMY® Award-nominated “Shine It All Around,” alongside the previously unreleased exclusives, “Nothing Takes the Place of You” (written by New Orleans musician Toussaint McCall and recorded for the acclaimed 2013 film, Winter In The Blood), “Charlie Patton Highway (Turn It Up – Part 1),” taken from the soon to be released album Band of Joy Volume 2 and a spectacular duet rendition of Charley Feathers’ rockabilly classic, “Too Much Alike” featuring Patty Griffin.

Plant is accompanied throughout DIGGING DEEP by a truly remarkable lineup of musicians, including Jimmy Page, Buddy Miller, Patty Griffin, Phil Collins, Nigel Kennedy, Richard Thompson and his brothers, Strange Sensation/ The Sensational Space Shifters.

Digging Deep with Robert Plant begins its third season today, July 27th. Five brand new episodes will premiere every two weeks, all recorded earlier this year with BBC 6 Music’s Matt Everitt before a live audience at London’s Rough Trade East.

Robert Plant’s music is the result of a lifetime of journeys exploring the music from the welsh borders to the Sahara and from Nashville to the misty mountains. The influences and friends collected along the way can be heard in his songs. Digging Deep with Robert Plant finds him delving into his back catalogue to revisit songs recorded on his  incredible history while also telling stories of inspiration, collaboration, and intervention. The podcast has fast proven a popular and critical success, with over 1.6 million streams/downloads. Digging Deep with Robert Plant is available from Apple, Spotify, and YouTube, with new episodes available every two weeks.

ROBERT PLANT

DIGGING DEEP

(Es Paranza)

Release Date: Friday, October 2nd

TRACKLISTING:

CD1

Rainbow

Hurting Kind

Shine It All Around

Ship of Fools

Nothing Takes the Place of You *

Darkness, Darkness

Heaven Knows

In the Mood

Charlie Patton Highway (Turn It Up – Part 1) *

New World

Like I’ve Never Been Gone

I Believe

Dance with You Tonight

Satan Your Kingdom Must Come Down

Great Spirit (Acoustic)

CD2

Angel Dance

Takamba

Anniversary

Wreckless Love

White Clean & Neat

Silver Rider

Fat Lip

29 Palms

Last Time I Saw Her

Embrace Another Fall

Too Much Alike (Feat. Patty Griffin) *

Big Log

Falling in Love Again

Memory Song (Hello Hello)

Promised Land

* PREVIOUSLY UNRELEASED

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FOR MORE INFORMATION, PLEASE VISIT ROBERTPLANT.COM