“Rae meets at the intersection of folk and country in ballads built to calm nerves and trigger powerful emotions at the same time.” – Rolling Stone

Erin Rae announces Lighten Up, her highly anticipated new album. Produced by Jonathan Wilson, it will be released on Feb 4, 2021, via Thirty Tigers. A timeless amalgam of classic pop, cosmic country and indie rock, recorded earlier this year in California’s Topanga Canyon.

Rae debuted the video for her first official single from the album, “Modern Woman,” with Rolling Stone. A pacy indie folk rock bop celebrating femininity in all its diverse forms. The video features  musicians including Brittany Howard and various Nashville rising star creatives and business owners from across the community, including rising photographer Emerson Kyle and Curry, a local director of Nashville’s Black Beauty School and Black Trans advocate. Watch the video HERE.

Discussing the song with Rolling Stone, Rae reflected, “”Modern Woman” from the start is meant to be a little cheeky, coming from me, a white femme-presenting woman, but it just sort of spilled out one day in the kitchen during the pandemic. It’s been so incredibly powerful to witness the discussion and evolution of gender norms through my peers and friends, as well as the representation of all bodies breaking more and more into mainstream media. The song is basically a speech to a figurative person who is uncomfortable with the disintegration of a tired definition of what it means to be a woman.  With the video, Joshua Shoemaker and I wanted to celebrate and represent our friends in the community who relate to the term “woman” in different capacities, and basically brag on the diverse community of small business owners Nashville holds, and the work they are all doing to push Nashville forward, often against its will, into this new world of inclusivity.”

The single release follows “True Love’s Face,” another preview from the album, which landed ahead of the album’s announcement this week. Listen Here: https://orcd.co/truelovesface 

Three years have passed since the release of her critically acclaimed debut Putting On Airs, which drew high praise across the board. She mostly spent her time on the road, performing at Newport Folk and Red Rocks, sharing stages with Iron & Wine, Jason Isbell, Jenny Lewis, Hiss Golden Messenger and Father John Misty, before her touring came to a sharp halt at the start of the pandemic. She simultaneously tried to carve out time to write and live a life following the successful DIY release of a deeply personal album that felt like she had opened up the workings of her mind for all to see.

The solitude of the road and then the pandemic created space for Rae to undergo a sonic and philosophical shift where she found personal catharsis in creating an album that reflected on her newfound lessons of self acceptance, alongside finding the confidence to offer social commentary on the environment, gender identity and equality. “My last record was a lot of self-assessment and criticism, and trying to kick old habits and ways of relating and not relating to people,” Rae acknowledges. “This one is about blossoming, opening up, and living a little more in the present moment. Fully experiencing what it is to be human.”

With a renewed sense of agency, Rae also took a more active role in creating the kaleidoscopic soundscape that became Lighten Up, playing guitar throughout and feeling more confident in her musical decisions, drawing from obscure songwriters and niche genres like the English Psych folk she’d heard out on the road. She set out to reflect a sound she calls, “an emotional pallet, I could get lost in.” 

Alongside Erin, Jonathan Wilson contributed various instruments including drums and is noted for his work with artists from Father John Misty to Roger Waters. The album also features a core band of Drew Erickson on keys, noted for his work Lana Del Rey, Weyes Blood and Jake Blanton on bass who has worked with bands including The Killers. The album also features guest appearances from fellow rising star singer songwriters, Meg Duffy, Ny Oh, and Kevin Morby.

Their flourishes of orchestral strings and swirling pedal steel melded with white hot organs, driving drums and rocking guitars. Forming a sophisticated soundtrack for Rae’s distinct vocals to shimmer and shine. Her distinct vocals offer us a much needed alternative to the criticism we can wield upon ourselves and others as we all try to navigate these turbulent times.

Facebook / Instagram / Twitter / YouTube / Spotify / Website

Tom Walker today releases his first new music in two years with ‘Something Beautiful’, a rousing, heartfelt collaboration with chart-busting Australian rapper Masked Wolf – listen here.

Acoustic driven and flanked by a huge trap beat, the song was written by Tom, Masked Wolf & Steve Mac – also produced by Mac. Kicking off with Masked Wolf, Tom’s instantly recognisable voice soon enters the arena, in fine form, to create a special standout moment on this exciting new release.

“I’d already been working on the song when I heard ‘Astronaut In The Ocean’ and we asked Masked Wolf if he would have a go.” explains Tom. “He sent back a verse after a few hours and it was exactly what the song needed. I’d been going round the houses on different verses, never landing the right thing, but as soon as we added Masked Wolf into the mix, the song just worked! It’s about being super grateful for what you do have. Finding ‘Something Beautiful’ in the dark times.”

Masked Wolf adds; “When I heard the song, I thought what in God’s name is this?! There was so much emotion, it gave me goosebumps – I had to jump on it straight away. I felt there was a connection with Tom’s lyrics because I love talking about emotions and topics that matter.”

Masked Wolf’s fame grew exponentially last year with the re-release of his track ‘Astronaut in the Ocean’. The song quickly accrued more than 75 million streams in under a month, eventually peaking at number four in Australia and reached number six on the Billboard Hot 100.

Tom, whose global streams have passed two billion, was the biggest selling UK signed artist of 2019 and is now working on new material. Expect a new album next year.

iamtomwalker.com

Multi-platinum selling, Rock and Roll Hall of Fame-inducted recording artist and songwriter Dave Gahan, along with long time musical partner Soulsavers (Rich Machin), have released “Metal Heart” – the first track from their forthcoming album Imposter, out November 12th.

Written by Chan Marshall (Cat Power), and first released in 1998, the reimagined version from Dave & Soulsavers can be heard here. Prior to the release of the track, Dave Gahan and Soulsavers made available a first preview of the project, complete with intimate studio footage from the recording of the album and a sample of their version of “Metal Heart”; watch here.

In reflecting on “Metal Heart” Dave commented, “It’s probably my favourite at the moment. It was really such a great performance to record because it had this arc, starting as just this little thing which by the end grows into a monster, and to me that same arc also reflects the sentiment of the song.”

On Imposter, Dave takes listeners on a personal journey of 12 meticulously chosen reimagined songs from across genres and time periods, including selections from Neil Young, Bob Dylan, PJ Harvey, Charlie Chaplin and Mark Lanegan, amongst others. One would be remiss to refer to Imposter as a cover album. Rather, Imposter is a story of songs, which Dave Gahan & Soulsavers listened to, studied, absorbed, and gave a new life. All of the songs have deep meaning to Dave, making Imposter a reflection of Dave’s life – a story told by others, but in his own distinct voice.

Imposter track listing:

1. The Dark End of the Street
2. Strange Religion
3. Lilac Wine
4. I Held My Baby Last Night
5. A Man Needs a Maid
6. Metal Heart
7. Shut Me Down
8. Where My Love Lies Asleep
9. Smile
10. The Desperate Kingdom of Love
11. Not Dark Yet
12. Always On My Mind

The recording of Imposter was done live as a ten-member band at the famed Shangri-La Recording Studio in Malibu, CA in November of 2019. This allowed for not only a more intimate collaboration than on previous Dave Gahan and Soulsavers projects, but let them truly absorb the atmosphere and have the space to breathe a different spirit into the tracks. In an interview with podcaster and media personality Chris Black, Dave noted, “This was the first time we were all in one space. It was kind of lucky [timing] as well… Arriving at Shangri-La every day, it was magical. We’d have coffee, go in, and work.”

Imposter is the collaborators’ third album, following their critically acclaimed 2015 release Angels & Ghosts and their first release, 2012’s The Light the Dead See. The album will be released in digital, as well as physical formats, worldwide on November 12th through Columbia Records.

Visit www.DaveGahan.com and Instagram.com/theimposter for additional album information and updates.

“Myriad’ is totally relentless, a gripping, freewheeling tornado of a track.” – The Quietus

In the lead up to the release of her debut album The River Doesn’t Like Strangers on October 22nd, saxophonist Chelsea Carmichael today releases her mystical new track, ‘Bone & Soil’ – listen here.

Kicking off simply with drums & bass, ‘Bone & Soil’ builds slowly to a crescendo of Chelsea’s soothing tenor saxophone melody. Of the track, Chelsea commented: “‘Bone and Soil’ is an ode to one of my favourite poems by Nayyirah Waheed, titled ‘melanin | Bone and Soil’ It reads: We write from the body. / It remembers everything.”

Engineered at London’s iconic RAK studios by Will Purton and recorded with Eddie Hick (Sons of Kemet), Dave Okumu (The Invisible) and Tom Herbert (The Invisible; Polar Bear),

The River Doesn’t Like Strangers from start to finish is jazz mastery at its finest. The title track was inspired by the words of Chelsea’s dad on the Rio Grande in Jamaica: the river that goes through the centre of his home village of Grants Level, in the parish of Portland.

“I feel that the way that I play on this record draws inspiration from the lineage of black music making and the Caribbean Diasporas,” Chelsea said of the album. “It only felt right to reference my own lineage, and what has always been inside me even before a saxophone was put in my hands.”

Originally from Warrington, Chelsea is a Conservatoire-trained musician who has already been part of a Mercury-nominated band – she played on SEED Ensemble’s 2019 Driftglass – and has recently laid down sax on Little Sims’ track ‘Point & Kill, as well as playing live with Kano.

She also currently plays with Theon Cross, the Neue Grafik Ensemble. Following a performance together in May 2019 at the Total Refreshment Centre-affiliated Church of Sound with South African band The Brother Moves, Shabaka noted Chelsea’s potential and invited her to record the first release on the new label.

Chelsea Carmichael is an undeniably exciting talent. Watch this space.

chelseacarmichael.com 

nativerebelrecordings.co.uk 

Today, with the release of new song “High and Lonesome,” Robert Plant and Alison Krauss offer another glimpse into their first new album in fourteen years.

Out November 19th on Warner Music, Raise The Roof has been named one of the most anticipated LPs of the Autumn by the New York Times, MOJO Magazine, The Guardian and more. Like its platinum-selling 2007 predecessor, Raising Sand – which won six Grammys, including Album and Record of the Year – Raise The Roof delivers new takes on songs from legends and unsung heroes of folk, blues, country and soul music. “High and Lonesome” is the collection’s lone original, written by Plant and T Bone Burnett, who reprises his Raising Sand role as the album’s producer.

Hear Robert Plant, T Bone Burnett and Alison Krauss in harmony on the standout track “High and Lonesome,” backed by an all-star lineup of drummer Jay Bellerose, bassist Dennis Crouch, guitarist Marc Ribot and pedal steel player Russell Pahl, plus Viktor Krauss on mellotron, Jeff Taylor on bass accordion, and T Bone Burnett on electric guitar, mellotron and additional vocals: https://plantkrauss.lnk.to/highandlonesome

“High and Lonesome” is the second preview of Raise The Roof, following lead single “Can’t Let Go,” a rendition of the Randy Weeks/Lucinda Williams classic that reaffirmed Rock & Roll Hall of Famer Plant and 27-time Grammy-winner Krauss as “one of the most critically adored odd couples of music” (USA Today). As NPR Music says, “This feels like a warm welcome back from two old friends you haven’t seen in a long time,” and across Raise The Roof, their voices “still fit together like a pair of dusty boots nestled atop a welcome mat” (New York Times).

Recorded at Nashville’s Sound Emporium Studios, sessions for Raise The Roof began in late 2019. “When we started, Robert had said that if it didn’t work, we’ll try it for three days and say goodbye,” explains Alison Krauss. But through a range of styles and traditions, she and Plant extended their collaboration in thrilling new directions, wrapping just weeks before the world went into lockdown. “One of my favorite parts of this is the songs and songwriters that I had never heard of,” Krauss continues. “Working with Robert, and with T Bone, is always a great education in musical history.”

The rest of Raise The Roof includes deep cuts by Merle Haggard, Allen Toussaint, The Everly Brothers, Anne Briggs, Geeshie Wiley, Bert Jansch, Calexico and more. “It’s such a far cry from everything I’ve done before,” says Robert Plant. “I love the whole kaleidoscope of music that I’ve explored, but this is a place where you can think within the song, you can decide how to bring home an emotion. It’s another blend that we’ve got, and long may we have more of them.”

Pre-order Raise The Roof HERE

On December 3 Depeche Mode will release a newly upgraded expanded definitive box set edition of 101 documentary concert film and live album chronicling the 101st and final performance of the band’s Music For The Masses world tour, recorded live at the Pasadena Rose Bowl on June 18, 1988.

A groundbreaking collaborative documentary, 101 was co-directed by acclaimed husband-and-wife filmmaking team D.A. Pennebaker (Dont Look Back) and Chris Hegedus (The War Room) with active creative input from Depeche Mode, who’d held an exclusive contest for fans offering an appearance in a Depeche Mode movie as the prize. 101‘s narrative through-line of contest winners traveling across America to attend Depeche Mode’s landmark Rose Bowl concert is a cinematic precursor to the youth culture trend in “reality tv” programming. Depeche Mode’s 101 captures the electrifying synergy between the band and their fans.

This new HD edition of 101: A film by D.A. Pennebaker, Chris Hegedus, David Dawkins has been meticulously upgraded using 4k scans of the original film reels to create an all-new viewing experience. 

The 101 Blu-ray includes three previously unseen bonus performances of “A Question of Lust,” “Sacred” and “Something To Do” plus the official promotional video for “Everything Counts.”

Additional contents in the new, limited edition Depeche Mode 101 box set include: a 48 page behind-the-scenes story of the day photo book; a 20″ x 30″ replica of original US theatrical release movie poster; a 16 page Anton Corbijn Photo Mode book as featured in the original album release; a double CD of the original 20 track 101 concert release; and a Download Card providing access to 4K downloads of the film and bonus performances plus 24-bit audio files of the 101 concert release. The two DVDs in the set contain the original extras from the 2003 DVD release of Depeche Mode – 101, which are exclusive to the DVD discs.

“It’s incredible to be able to see D.A. Pennebaker’s film and this period of our career presented in this new high-definition light,” said Depeche Mode.

“We were thrilled to partner with Sony Music on the digital restoration of Depeche Mode 101, definitely one of our all-time favorite films and one of our favorite filmmaking experiences,” said 101 co-director Chris Hegedus. “DM 101‘s parallel realities following the historic tour of this pioneering British band as they storm across America bringing an exciting new sound to the masses, along with an intimate view of a bus load of ardent young fans on an unforgettable road trip to the Rose Bowl made this documentary a groundbreaking influence on the reality genre. Making this movie was a grand adventure for both of us (Pennebaker and Hegedus)…. By the end of the tour, we became their biggest fans. We are excited to introduce this new release to audiences.”

In 2020 Depeche Mode released SPiRiTS in the Forest which Forbes described as “the new gold standard for concert films,” with director and longtime collaborator Anton Corbijn. This was recorded at the close of the record-breaking two-year Global Spirit Tour, which saw the band play to over 3 million fans at 115 shows around the world. In November they closed the year with their induction into the legendary Rock & Roll Hall of Fame.

Watch the trailer here: depechemode.lnk.to/101Trailer

Pre-order here: depechemode.lnk.to/101

101 A film by D.A. Pennebaker, Chris Hegedus, David Dawkins

Mute Film Presents A Pennebaker Hegedus Films Production “Depeche Mode 101”

Featuring Andy Fletcher • David Gahan • Martin Gore • Alan Wilder

Filmed And Recorded By David Dawkins • Jim Desmond • Nick Doob • Chris Hegedus

D.A. Pennebaker • Joel Demott • Jeff Kreines. Editors D.A. Pennebaker

David Dawkins • Chris Hegedus. Assistant Editor Erez Laufer

Executive Producers Bruce Kirkland And Daniel Miller. Producer Frazer Pennebaker

Directed By David Dawkins • Chris Hegedus • D.A. Pennebaker

Depeche Mode – Live At The Pasadena Rose Bowl, June 18, 1988 – songs:

Master And Servant • Pimpf • Behind The Wheel • Strangelove Blasphemous Rumours • Stripped • Somebody • Black Celebration Pleasure, Little Treasure • Just Can’t Get Enough • Everything Counts Never Let Me Down Again 

Blu-Ray includes 3 previously unseen bonus performances: A Question Of Lust • Sacred • Something To Do Plus Everything Counts official promotional video

www.depechemode.com  

www.sonymusic.com  

The September 24, 1991 release of Nirvana’s Nevermind touched off a seismic shift in global youth culture. Rising to #1 worldwide over the next few months, its impact would elevate Kurt Cobain, Krist Novoselic and Dave Grohl from a promising Pacific Northwest cult band to one of the most successful and influential artists of all time. Nevermind returned rock ’n’ roll integrity and passion to the top of the charts, and continues to be a singular inspiration to fans and musicians alike over the last three decades–as it no doubt will for generations to come.

Beginning November 12, 2021, Geffen/UMe commemorates the 30th anniversary of Nevermind with several multi-format reissues. A total of 94 audio and video tracks–70 previously unreleased–will be made available across configurations ranging from Super Deluxe Editions to standard digital/CD and single disc vinyl with bonus 7-inch. In all formats, Nevermind is newly remastered from the original half-inch stereo analog tapes to high-resolution 192kHz 24-bit.

Among the previously unreleased material exclusive to various versions of the Nevermind 30th Anniversary Editions are four complete live shows that document Nirvana’s historic ascension on the concert stage – Live in Amsterdam, Netherlands (recorded and filmed on November 25, 1991 at the famed club Paradiso); Live in Del Mar, California (recorded on December 28, 1991 at the Pat O’Brien Pavilion at the Del Mar Fairgrounds); Live in Melbourne, Australia for triple j (recorded February 1, 1992 at The Palace in St. Kilda); and Live in Tokyo, Japan (recorded at the Nakano Sunplaza on February 19, 1992).

All four newly remastered live shows are included in the Nevermind Super Deluxe Editions, which will be available in both vinyl (8LPs – 180-gram black vinyl – all in premium tip-on jackets — plus the new 7-inch – A-side: “Endless, Nameless” / B-side: “Even In His Youth” and “Aneurysm”) and CD+Blu-ray (5 CDs plus Blu-ray – Live in Amsterdam, Netherlands complete concert video newly remastered audio & video in HD).

For pre-orders, full track listings and release dates for all configurations go HERE.

Join Dave Grohl for an extremely limited run of intimate evenings that’ll see (and hear) him bring his eagerly anticipated first ever book to life. Tickets are on sale TODAY at 5pm for DAVE GROHL — THE STORYTELLER — LIVE! 

September 27 — London, UK – Savoy Theatre

October 5 — New York, NY – The Town Hall

October 7 — Washington, DC – Lincoln Theatre

October 12 & 13 — Los Angeles, CA – The Ford

Out October 5 via Dey Street Books and Simon & Schuster, The Storyteller – Tales of Life and Music is a collection of memories of a life lived loud. From his formative years on the DC punk rock scene through the decades of music that followed, Dave will share the experiences that have defined him — plus some special surprises — all 100% live and in-person in four select cities.

Doors for all shows will open at 6:30pm. Dave will be on stage at 8:00pm.

Tickets for DAVE GROHL — THE STORYTELLER — LIVE! are limited to 2 per transaction.  Each ticket purchased includes a copy of The Storyteller – Tales of Life and Music. Partners in each city include: Waterstones, The Strand, Politics & Prose, Book Soup, and Barnes & Noble.                       

Get tickets here:

September 27 – London  https://DaveGrohl.lnk.to/London

October 5 – New York City  https://DaveGrohl.lnk.to/NYC

October 7 – Washington, DC https://DaveGrohl.lnk.to/WDC

October 12 – Los Angeles  https://DaveGrohl.lnk.to/LA12

October 13 – Los Angeles  https://DaveGrohl.lnk.to/LA13

The Storyteller – Tales of Life and Music is also available for pre-order separately here

Learn more about the Storyteller here

Sir Rod Stewart’s rekindled love of songwriting grows stronger on his 31st studio album, THE TEARS OF HERCULES. It’s Stewart’s fourth new album of original songs since 2013 when he reconnected with his songwriting muse to record Time, the chart-topping album which entered the Top 10 in the US and ten countries worldwide, including #1 in the U.K., where it’s been certified platinum double-platinum. For his latest, Stewart wrote nine of the album’s 12 songs, including the first single, “One More Time,” which is available today on all digital and streaming services.

On November 12, THE TEARS OF HERCULES will be available on CD and LP and through digital and streaming services. Pre Order here https://Rhino.lnk.to/TTOH

THE TEARS OF HERCULES is a project close to Stewart’s heart, especially the song “Touchline,” which he dedicated to his father, who taught him and his brothers to love football, a tradition Sir Rod has passed down to his sons. In the album’s sleeve note, Stewart says he’s proud of the album. “I’ve never said this before about any previous efforts, but I believe this is by far my best album in many a year,” he writes.

To make THE TEARS OF HERCULES, Stewart once again worked with Kevin Savigar, the keyboardist-songwriter-composer who has co-produced Stewart’s last three studio albums: Time (2013), Another Country (2015), and Blood Red Roses (2018). Their long-running collaboration began in 1978 when Stewart invited Savigar to join his studio and touring band. In addition to “One More Time,” they also co-wrote the standout tracks “Hold On” and “All My Days.” Stewart co-wrote “Born To Boogie (A Tribute To Marc Bolan)” with Emerson Swinford, the guitarist in his band. Stewart, Savigar, and Swinford share songwriting credit on “I Can’t Imagine.”

Stewart has always had a gift for making any song sound like it was written just for him. That’s certainly true of the album’s title track, a powerful ballad written by Marc Jordan. Through the years, Stewart has recorded other songs written by Jordan, including “Rhythm Of My Heart” (#5 U.S./#3 U.K.) from Vagabond Heart and “This” from his gold-certified album, A Spanner in the Works. Additional covers include Stewart’s joyful take on Soul Brother Six’s “Some Kind Of Wonderful,” and his stirring rendition of Johnny Cash’s “These Are My People.”

Pre-order ‘The Tears of Hercules’ from the Dig! Store for early access to future Rod Stewart UK tour dates https://Rhino.lnk.to/TTOH

THE TEARS OF HERCULES

CD Track Listing:

1.   “One More Time”
2.   “Gabriella”
3.   “All My Days”
4.   “Some Kind Of Wonderful”
5.   “Born To Boogie (A Tribute To Marc Bolan)”
6.   “Kookooaramabama”
7.   “I Can’t Imagine”
8.   “The Tears Of Hercules”
9.   “Hold On”
10. “Precious Memories”
11. “These Are My People”
12. “Touch Line”

LP Track Listing

Side One

1.   “One More Time”
2.   “Gabriella”
3.   “All My Days”
4.   “Some Kind Of Wonderful”
5.   “Born To Boogie (A Tribute To Marc Bolan)”
6.   “Kookooaramabama”

 Side Two

7.   “I Can’t Imagine”
8.   “The Tears Of Hercules”
9.   “Hold On”
10. “Precious Memories”
11. “These Are My People”
12. “Touch Line”

Rod Stewart is one of the best-selling artists in the history of recorded music, with an estimated 250 million records and singles sold worldwide. His signature voice, style and songwriting have transcended all genres of popular music, from rock, folk, soul, R&B, and even the Great American Songbook; making him one of the few stars to enjoy chart-topping albums throughout every decade of his career. He’s earned countless of the industry’s highest awards, among them, two inductions into the Rock and Roll Hall of Fame, the ASCAP Founders Award for songwriting, New York Times bestselling author, Grammy™ Living Legend, and in 2016 he officially became “Sir Rod Stewart” after being knighted at Buckingham Palace for his services to music and charity. For more information visit rodstewart.com.

Twin Atlantic today announce details of their brand new album Transparency – out January 7th – marking the start of a new chapter in the Scots’ prolific career, which also sees the departure of drummer Craig Kneale.

The announcement follows their recent charismatic, swaggering new track ‘Bang On The Gong’ – which embraced a fun and exciting direction for Twin Atlantic. Today sees the sequel in brand new single ‘One Man Party’. Medicine, mimosas, panic attacks – a split personality having a party, set to frantic beats and sleazy synths. Watch the brilliant one-take sequel video, directed by Nick Afchain, HERE.

‘Transparency’ is Sam McTrusty spilling his guts on everything from marriage, male friendship and the absurdity of social media to parenthood, medication and his mum.  Written in strained circumstances and recorded remotely with Sam’s mate and mentor Jacknife Lee, the album arrived more by accident than design when the world went into lockdown last spring. ‘Young’ is a finger-pointing, post-Brexit rant at people who vote without considering the consequences. ‘Dirty’ is a piss-take of Sam himself, the singer in a band sipping Champagne who would have appalled his younger self. The Talking Heads-y ‘Dance Like Your Mother’ is about being in a rock band who want their fans to dance, and ‘Instigator’ deals with the pressure he feels as a frontman.

Sam says; “After the challenges put in front of everyone in 2020 and 21 I did what I’ve always done in moments of turmoil, stress or anxiety and started to write songs. It slowly evolved into an album and something we feel puts a new stamp on our band which really excites us.”

The band recently delivered a triumphant UK tour, welcoming hungry fans back with a rapturous sold out headline show at London’s Electric Ballroom. The band today announce a fresh run of May 2022 shows, including London’s Roundhouse, and Glasgow iconic Barrowland, to celebrate 10 years of their career-changing Free album.

Sam comments; “We’ve very rarely ever been a band who look back, but during the lockdown, ‘Free’ turned 10 years old. It hit another landmark of selling 100,000 copies in the UK. To celebrate that, we wanted to do something in return and finally play an album from start to end live. Can’t wait to see you all there!”

The new record also sees the departure of drummer Craig Kneale, who says; “It is with a heavy heart and so many great memories that I’ve decided to step back from Twin Atlantic. I love this band and still believe that big things lie ahead – but this feels like the right time for me to jump off and try something new. To have been able to travel the world and play music with my best friends for 15 years has been the greatest privilege. To everyone that’s supported the band over the years – you are the fuel that makes this all mean something. Thank you. What a joy it’s been to be in a band with Sam, Ross & Barry. It still feels like a dream. Craig x”For an album made quietly in lockdown, Transparency is begging to be played loud and live. Bold, adventurous, and a load of fun. This is just the start of a new era for Twin Atlantic.
September 2021

Sat 11th Glasgow, TRNSMT Festival

May 2022 (Free 10 Year Anniversary Tour)

Thu 5th Ireland, Dublin, Opium

Fri 6th Belfast, The Limelight

Sun 8th London, Roundhouse

Mon 9th Newcastle, Boiler Shop

Wed 11th Inverness, Ironworks

Thu 12th Glasgow, Barrowland

Sun 15th Leeds, Stylus

Tue 17th Manchester, O2 Ritz

Wed 18th Bristol, O2 Academy

Thu 19th Birmingham, o2 Institute
(Tickets on general sale from September 10th)

Transparency Tracklisting:

1. Keep Your Head Up 
2. One Man Party
3. Get Famous
4. Young
5. Haunt
6. Dance Like Your Mother
7. Dirty
8. Bang On The Gong
9. It’s Getting Dark
10.  Instigator
    

Pre order the album HERE. Physical formats include transparent vinyl, standard CD and transparent cassette tape.

Instagram // Twitter // YouTube // Spotify // Facebook 

twinatlantic.com

“Hrvy is the whole pop star package.” – GQ

“rising star” – MTV

“his career is on the rise” – Wonderland

“the singer has a promising future” – 1883 Magazine 

“Pop Perfection” – Notion 

Off the back of his recent club-banger ‘1 Day 2 Nights’, HRVY returns with a video for his infectious pop powerhouse single Runaway With It. The video, directed by Jordan Rossi of Rankin Film Productions, sees HRVY take us backstage on an interactive journey, switching between 3rd & 1st person, bursting with eye popping visuals – watch here.

In a track that is set to light up the airwaves and samples Shanice’s legendary hit I Love Your Smile, ‘Runaway With It’ is dance pop at its finest and an exciting new offering from an artist who’s already streamed over 800 million times on Spotify and enjoyed an incredibly successful stint on the UK’s biggest TV show, ‘Strictly Come Dancing’, which saw him and his partner Janette Manrara become finalists.

Talking about the new track, HRVY says: “I’ve always wanted to use a sample in one of my songs, and when I heard the original “I Love Your Smile” by Shanice, I fell in love with the du du du doo duduooo bit!! Something that gives nostalgia for some of my older fans and something new for my younger fans”

It’s a new, fresh and exciting time for HRVY with his recent signing to BMG, and which will see plenty more new music this year. Next week he will take to the stage live at London’s O2 Arena to perform ‘Run Away With It’ for the very first time at The National Television Awards, live on ITV1 on September 9th.

At only 22 years old, HRVY fosters an incredibly mighty online following spanning the globe, pushing a billion Spotify streams, and a string of sold out headline shows in North America, Asia and Australia.

His live performances in the UK already include sold-out headline shows at Hammersmith Apollo and appearances at BBC Radio 1’s Big Weekend, plus Capital FM’s Jingle Bell and Summertime Ball. During the pandemic, HRVY took his headline show to the Royal Albert Hall in April and drew a virtual audience of thousands worldwide.

His postponed live dates, including an extra night at London’s iconic Palladium, are currently rescheduled to take place in October this year. “I’ve been waiting for this tour for over a year now” he said, “and I can’t wait to now be able to play new music to my fans who have been so patient.”

Having also recently signed to UTA for live, HRVY’s new label, BMG, reached a milestone last year with three albums occupying the UK top 10. HRVY recently joined their roster of talent which includes Kylie Minogue, Steps, JLS, McFly and KSI.

It’s time for the boy from Kent to take the world by storm.

UK HEADLINE TOUR DATES

October

Sun 17th GLASGOW, O2 Academy

Mon 18th NEWCASTLE, University Students’ Union

Wed 20th DUBLIN, The Academy

Thu 21st LEEDS, SU Beckett University Headingley Campus

Sun 24th LONDON, The Palladium (SOLD OUT)

Mon 25th LONDON, The Palladium

Wed 27th BRISTOL, Anson Rooms Bristol SU

Thu 28th OXFORD, O2 Academy

Fri 29th BIRMINGHAM, O2 Academy (VENUE UPGRADE)

Sun 31st MANCHESTER, Academy (VENUE UPGRADE)

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In the lead up to the release of the soundtrack for the smash musical Everybody’s Talking About Jamie, composed by Dan Gillespie Sells, Ivor Novello award-winning band The Feeling have announced a new chapter in their career with their sixth studio album, Loss. Hope. Love – out May 6th on Island Records – back where it all started in 2006 for their Top 3 debut album Twelve Stops and Home.

First taster from the new record is the brilliant ‘This Was Me’. Originally performed by Richard E. Grant and Frankie Goes To Hollywood’s Holly Johnson for the Everybody’s Talking About Jamie soundtrack, The Feeling’s version from Loss. Hope. Love is deeply moving; a personal track for Dan, driven by its socially conscious lyrics that ooze with the hope of a better tomorrow. Watch the video here.

Self-produced, predominantly at their East London studio during lockdown, Loss. Hope. Love is the sound of a band who have reconsidered their identity, taken control of their sound and embraced the Queen-esque theatrical elements of their DNA, recently realised by the success of Everybody’s Talking About Jamie. The Feeling return a whole new perspective. 15 years since their multi-million selling debut record Twelve Stops and Home – the new album is bursting with joy, but with the thread of melancholy that’s always been synonymous with their flawless songwriting.

After years of writing about his own life, Dan was keen to use his foray into musical theatre to tell other people’s stories. It’s also given the band time to work in a different way. Dan says: “It’s been a while but throughout writing the Musical, the West End Soundtrack then the Official Movie Soundtrack I have worked with the band and they have been a great help. It’s been great for all of us. It was The Feeling with a different hat on but we’re delighted to be back.”

Since the last Feeling album 5 years ago, Everybody’s Talking About Jamie has quickly become one the most successful new musicals of the last decade. Premiering at the Crucible Theatre in Sheffield, before transferring to London’s Apollo Theatre, the production was an overnight success amongst audiences and critics, receiving rave reviews and garnering five Olivier Award nominations.

The Feeling first burst onto the English rock scene with the release of their UK Top 10 single ‘Fill My Little World’. 3 more hit singles from Twelve Stops and Home and by the end of 2006 The Feeling were the most played act on UK radio.

Five albums later and an award-winning musical to frontman Dan’s name, Loss. Hope. Love is a band reborn, sonically developed, and ready to take 2021 & 2022 by the horns and own who they are. Welcome to a brand new chapter.

The Feeling play the following UK dates. Tickets go on pre-sale on Wednesday 8th September, fans can access the pre-sale by pre-ordering the album from HERE. Tickets go on general sale Friday 10th September from HERE. 

October 2022

Tues 18th GLASGOW, Saint Luke’s

Thurs 20th NEWCASTLE, University SU

Fri 21st CARDIFF, University SU

Sat 22nd MANCHESTER, O2 Ritz

Mon 24th NORWICH, Waterfront

Tues 25th SHEFFIELD, Leadmill

Thurs 27th BRISTOL, O2 Academy 

Fri 28th LONDON, O2 Shepherd’s Bush Empire

Sat 29th BIRMINGHAM, Town Hall

Sun 30th BEXHILL, De La Warr Pavilion 

The Feeling are Dan Gillespie Sells, Richard Jones, Kevin Jeremiah,
Ciaran Jeremiah and Paul Stewart

Loss. Hope. Love Tracklisting:

1. High Like You 
2. There Is No Music 
3. Never Gave Up 
4. There’s a Word For It
5. On The Edge
6. Lost
7. Love People
8. No One To Blame 
9. Cascade
10. Wrong 
11. For The Future
12. Morning Light (plus hidden track – Takes A Beat Away)

www.thefeeling.com